 I began a new drawing on Friday.  I found some larger sized sheets of the Indian cotton rag or khadi paper and bought these oblong shapes.  I was excited to see what I could come up with for them.  I used to work regularly on oblong formats and they still excite me in the same way.  Somehow they seem to reference a passage of time - as in Japanese scroll paintings.  They open up a sort of compositional asymmetry and dissonance that I like to explore as well.  I am just in the beginning stages of this piece building up texture and detail in the background and letting the composition evolve.
   I began a new drawing on Friday.  I found some larger sized sheets of the Indian cotton rag or khadi paper and bought these oblong shapes.  I was excited to see what I could come up with for them.  I used to work regularly on oblong formats and they still excite me in the same way.  Somehow they seem to reference a passage of time - as in Japanese scroll paintings.  They open up a sort of compositional asymmetry and dissonance that I like to explore as well.  I am just in the beginning stages of this piece building up texture and detail in the background and letting the composition evolve.Monday, October 13, 2008
New drawing on khadi paper
 I began a new drawing on Friday.  I found some larger sized sheets of the Indian cotton rag or khadi paper and bought these oblong shapes.  I was excited to see what I could come up with for them.  I used to work regularly on oblong formats and they still excite me in the same way.  Somehow they seem to reference a passage of time - as in Japanese scroll paintings.  They open up a sort of compositional asymmetry and dissonance that I like to explore as well.  I am just in the beginning stages of this piece building up texture and detail in the background and letting the composition evolve.
   I began a new drawing on Friday.  I found some larger sized sheets of the Indian cotton rag or khadi paper and bought these oblong shapes.  I was excited to see what I could come up with for them.  I used to work regularly on oblong formats and they still excite me in the same way.  Somehow they seem to reference a passage of time - as in Japanese scroll paintings.  They open up a sort of compositional asymmetry and dissonance that I like to explore as well.  I am just in the beginning stages of this piece building up texture and detail in the background and letting the composition evolve.
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2 comments:
Love the doilies in the background. Are they drawn using the doilie as a stencil?
They are drawn. For so long I was using the doilies as stencils but washing over them with ink or paint. I like this new approach it gives a crisp and defined shape that I like about the doilies in the first place. I think it adds another dimension to the primarily ink drawings as well.
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