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I had my grad school interview with Mass Art on Tues and it brought up some interesting issues for me concerning my work. It was suggested that I had not really achieved a dialogue or integration between my painted images and the abstract substrate of my paintings. And I agree. The birds are somehow seemingly superfluous. I am thinking on why I incorporate them and what I may be hoping to ask or investigate with them. Formally, I am beginning to allow the paint to violate the borders of the birds. I am also continuing to introduce new realistic elements throughout the entire process of the painting hoping that this will be a start to better integrating them into the many layers of mark. This piece was already on a trajectory to go "over the top" visually, but an issue that I voiced during the interview was that I was seeking to make my work opulent or gaudy. I know that I haven't quite pushed it as far as I can go - so here's my latest effort.
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