Birdseed 10" x 11"

Here is a print I have been working on during my Thursday night classes at the Shemer Center. It is a linoleum cut. I am working with two blocks - one for each color; and handprinting the image on rice paper. I have really been enjoying working with the medium. I like the graphic quality the rice paper gives to the lino cut, and I am very impressed that I can get such an even print without using a press. This is not a final version of the image. I am still hoping to move the red "seeds" up closer to the image of the birds, but first I must cut away more of the lino block.

More work accomplished

Not the past week but rather the one before I was able to spend a good amount of time working on this painting. I am really excited by where it is going. After a long week at work I feel derailed. And the whole diptych seems a little daunting - really ambitious. What the heck am I thinking?...But I'll muster the wherewithal to continue plugging along soon I am sure. I like the composition. I will be enlarging the roadrunner, keeping the tribble-cactus, painting out the back leg of the chair that descends to the ground under Tyler's right hand (because everyone thinks it's a cigar), and working more on Tyler's face. The photograph I am working from actually doesn't provide enough detail around Tyler's ear and neck. Maybe I'll have to photograph him again. Today I stretched the large canvas for the painting I am beginning of Memphis and Reagan. I really don't have anywhere in the house to store it...

Here is a picture of the progress I have made on the painting of Tyler. It is not the entire composition - the left and right sides are cropped out. I am getting some more opaque layers of paint down on the canvas. And I have covered the entire area with color. I am working out the composition in the foreground still. Earlier I added a small barrel cactus; but because it more closely resembles a green tribble in the bottom right hand corner, I will be changing it.

Ch Ch Ch Changes...

I am working on everything right now trying to tie up loose ends before beginnings more projects. The self portrait is really coming together. I worked into the cacti on the right hand side of the canvas and back into my shirt. It won't be long now for this one I think.

I have worked on the second panel of this piece as well, but the photo turned out blurry. I'll post it at a later date. I envision this piece as part of a larger wooden frame that maybe has hinged doors; but I think for the sake of the portfolio I will end for the time being by cradling the plywood. The advanced carpentry will have to happen at a later date.

Above is a quick snap of another linocut I am beginning for the portfolio - a grackle. I haven't worked out the composition entirely (even though I have begun cutting). Below is another linocut I will include. I have been working tirelessly to get a good print from this block, but my efforts with the press have yielded nothing. My next attempt will be done by hand with a barren on rice paper. I am currently thinking I will make this a two color piece by printing a second image in the large expanse of space in the top left corner.

Almost Done...

Probably my favourite title for a blog post. I am looking to get this painting wrapped up - get it off my plate. I am currently in the middle of a lot of work in the studio right now, and it would calm my nerves to put some more paintings in the "completely finished" category. I am excited by the changes that happened today. I like the expansion and collapsing of space that the outline and the realistic painting create. And I finally painted over the blank spots in the top lefthand corner of the painting - previously meant for birds...forget it. They won't be going into the picture. Lots of things are being resolved, however, I am still struggling with a title. Any suggestions?

Infant of Prague 16" x 20"

I have started another painting - like I need another painting to work on, right? This is the first in a series I have been thinking about. I am very nonplussed by it at the moment. The composition is static, the painting is very blonde, and it has none of the majesty I imagined for it. Still it is a nice break from working so large as with the current figure paintings. Additionally, this piece is solely from observation - my favourite way of painting.